I realised that most of my recent entries have been rants so I thought I should post something a bit more positive.
Monday morning I set off for Bournmouth to meet up with Rob Nott and head for London. It was less hassle to stay over with him than drive into the metrolopse, and the train all the way was far too expensive. We were heading eventually for the British Library and a talk by Ian Sinclair, Alan Moore and Michael Moorcock. A life long hero of mine, I read my first Moorcock book at the age of sixteen (The Bull and the Spear). We should have been joining up with Maurice and Jerry but both got waylaid at the last minute.
We headed first to Charing Cross road to peruse the book shops. Rob was looking for a good copy of one of the 70's issues of MM to get signed for Maurice. I wanted a copy of Gloriana to be signed for my friend Kevin and a copy of "V for Vendetta" for Alan Moore to sign for my daughters boyfriends birthday (today). It was very hot in London and I was pleased to find that Foyles had a cafe so we could have a cool break. Short lived as the fire alarm went off and we had to finish our drinks quickly and go. It was very difficult to stay focused with SO MANY BOOKS. I managed to only buy the two I'd set myself which must be a first for me. (I'd bought my own copy , much thumbed, of Knight of Swords, to be signed for me). I was very pleased that my hip didn't proove a problem and the walking around didn't result in the pain I've experienced up until recently.
We headed to ST Pancras and walked into the concourse to ask for directions to the BL. This was another item on my wish list as I have wanted to visit the station since reading Douglas Adams "Long Dark Teatime of the Soul". I asked a policeman (as you are told you should) and he directed us outside and to the right. By the way, I really hope they finish the restoration soon as I will be in the queue to book the hotel when its finished.
We got front seats in a very intimate auditorium. Apart from a hitch getting MMs wheelchair onto the stage (the lift wasn't plugged in) it was very well organised. Both Moorcock and Moore were very interesting, amusing, self effacing individuals, willing to make jokes at their own expense. I felt Ian Sinclair was a little too cerebral by comparison. I have to admit I haven't read anything by him. After we were at the front of the queue for signings. Again both men were very personable and Rob had a long conversation with MM , to the point where library staff were prompted to suggest Mr Moorcock not spend quite so long with people. A very enjoyable evening altogether.
We had a sandwich and a drink at Waterloo while waiting for the train. Got back to Robs about 1am. By the time I got up Rob was ready for work and so he had to leave me to get myself together and back on the road.
Set off for Cardiff but due to a satnav error, took a wrong turn off a roundabout, saw a sign for Winchester and decided to visit the Cathederal.
Winchester is a delightful town and the Cathederal is stunning. It looks huge and dominating in a far more solid, square, Norman way than many other Cathederals that I've seen. Once inside I headed straight for their Library ( it's a sort of sickness really) and bathed in the presence of many ancient and delicate books, desperately trying not to touch. Anyone who has not looked closely at an illuminated manuscript can't appreciate the incredible skill of the artist. Only up close can you see the minute detail. Carefully crafted patterned infills of shapes in three or four colours,less than five or six millimeters across each and exactly reproduced a dozen times with no difference in size shape or colour.
In the same place was a sillouette portrait of Jane Austen and a poem in her own hand dedicated to her friend, Mrs Fermoy who died in a horse riding accident four years previously ,on Janes birthday (16th Dec.) That was very moving. It's something I can't properly define, but a conection exists between the work of an artist which is unpublished, and the person viewing. You are looking at something in the artists hand which gives a much clearer image of the artist as a person than any finished great work. I remember first experiencing this when I came across a rough sketch by Cezzanne while walking round the Louvre. Something not meant for public consumption is private and more intimate.
I could go on at length about the many interesting and beautiful things in the Cathederal but I wont. You should visit. I did stop breifly at Jane Austens memorial, which had fresh flowers on it.
After a pot of tea and a prawn sandwich in the really lovely cathederal cafe I headed home. It's days like those that make the mundane ones in between worthwhile.
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